-MONTHLY FILM & TV REVIEW-
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Waveriders
featuring: Cillian Murphy (narrator)
director: Joel Conroy
77 minutes (PG) 2008
widescreen ratio 1.85:1
Element DVD Region 2 retail
RATING:
7/10
reviewed by David Hebblethwaite
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What makes a good documentary? The acid test for me is how well it can appeal to a wider audience, regardless of its particular subject matter.
That, I hope, goes some way to explaining why I volunteered to review a documentary about surfing when I'm not actually interested in surfing.
And I'm pleased to say that Waveriders kept me gripped throughout.
There are two things we might reasonably expect to see in any surfing documentary: footage of surfing, and interviews with surfers. Waveriders
does not disappoint: the surfing itself is often breathtaking - what particularly struck me were the shots of one tiny human figure against the
background of an enormous wave. Stunningly photographed, and often nicely contrasted with the rugged Irish landscape (the film has a special focus
on the development and practice of surfing in Ireland). The interviewees are, without exception, engaging and articulate, and their love of their
sport shines through.
But 77 minutes of this alone would try the patience of anyone who wasn't a surfing enthusiast. What makes Waveriders of greater general
interest is its carefully constructed history of surfing. This isn't a 'gosh, did you know' trivia kind of history, but a very human history that
brings the sport to life through the stories of its people. We meet some remarkable characters, notably George Freeth, the Irish-Hawaiian who,
more-or-less single-handedly, revived the ancient art of surfing in the modern age; invented the practices of modern life-guarding; and died of
influenza in 1919, tragically young. Freeth seems to have become almost a semi-legendary figure in the surfing world since then.
We also see how small, innocent decisions can have a lasting impact on history. In the early 1970s, Californian surfers Kevin Naughton and Craig
Peterson took a trip to South America to try out the surf, and sent back photos and articles to be published in the surfing magazines. They continued
to travel the world doing this, inadvertently inspiring other surfers to start exploring the waves elsewhere - and transforming the sport in the
process.
Reading this back, it sounds a little dry; but that's not how it comes across on screen. Waveriders takes the specifics of surfing and
makes them relevant - makes them personal, shows us why they matter to people. We've all, I'm sure, felt an intense passion for an interest of
some sort; and we can use feelings like that as a bridge into the film. But the narrative thread of Waveriders makes that job all the
easier; by the time we reach the end, and surfing in present-day Ireland, we care - because we have become invested in that world.
There's just one thing which I felt, with hindsight, was missing from Waveriders. Rightly or wrongly, I gain the impression from the film
that surfing is a very male-dominated world. The only female surfer in the movie is four times Irish champ Easkey Britton, and she is interviewed
only briefly. I think the film could have benefited from touching more on that gender dimension. Quibbles aside, though, Waveriders is an
interesting, well-made documentary which is worth seeing, whether you're into surfing or not.
DVD extras: additional surfing footage, extended interviews with contributors, a theatrical trailer, and photo gallery.
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