-MONTHLY FILM & TV REVIEW-
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The 39 Steps
cast: Rupert Penry-Jones, Lydia Leonard, David Haig, and Patrick Malahide
director: James Hawes
85 minutes (12) 2008
ITV DVD Region 2 retail
RATING:
4/10
reviewed by James A. Stewart
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The 39 Steps is a classic novel by the brilliant Scot, John Buchan. Its pace is fierce and the shadowy undertones and atmosphere grips the reader
right till the end. Sure, there are some criticisms of the novel, especially the convenient coincidences that allow it to run apace, but as a straight
down-the-line thriller combining political intrigue with espionage, it has it all. To date, there have been three notable film adaptations of the novel
(with another to follow in 2011). The first was Hitchcock's excellent 1935 version; a
loose interpretation at best, with significant character additions - in particular a female love interest, scene changes and general made-for-the-big-screen
tinkering. The end result was an entirely satisfying film.
Following on, in the 1970s a wonderful offering with a thrilling ending as Hannay hangs from Big Ben. To my mind, this was actually the better of the two
earlier renditions. Then comes the British television's new millennium addition, fully sanitised by the PC brigade and amazingly, takes Buchan's
thrill-a-minute novel and makes the story seem as about exciting as scrambled egg on toast.
I shouldn't be too hasty here; there are some real highlights from this modern version. Firstly, it is as close to Buchan's novel in terms of bare plot as
any version so far, albeit the idea of a female love interest is added a la Hitchcock. In the female love interest, Victoria, played by the feisty and quite
excellent Lydia Leonard, we have the film's top performer. Some of her lines were painful, and in particular a piece where she hides the notebook and then
goes back to find it made my head hurt, but all in all she is standout throughout.
Hannay, the reluctant hero, is played by Spooks' Rupert Penry-Jones in quite simply, a tabletop performance that's more wooden than Sherwood Forest.
There was not a lot endearing about Hannay in this film, save the fact that Penry-Jones does look splendid and tailor-made for these parts, but even his
supposed misogyny was painfully contrived and in comparison with Donat and Carroll in Hitchcock's version, the chemistry between the two stars was sadly
non-existent.
In respect to scenes, the backdrop of the Scottish lowlands was used well, and being from there, remarkably well lit! The scenes were aesthetically
pleasing and gave the impression of a polished finish - however, here comes the gripe, that does nothing for the tone and atmosphere of the story and
in many ways it seemed a case of style over substance.
The whole pace of the story is like watching a tortoise towing a caravan. The direction and photography are actually really good, and in fairness, some
of the peripheral cast put on decent performances. There are also some moments of mirth, and this is something new compared to previous versions, but that
is about it.
Possibly the worst part of the film is the ending - the link to the 39 steps is so tenuous as to stretch the boundaries on poetic licence to breaking point.
After a shootout at a loch-side poor Victoria is gunned down by a half-dead German officer who previously couldn't hit the proverbial cow's arse with a
banjo. Franz Ferdinand is then shot and the war commences and the Brits march out to save the day.
The 39 Steps British TV style is pretty naff, especially as its predecessors are so good. If you want to see a film adaptation of Buchan's tremendous
novel, grab one, or even better both, of the previous films; you won't regret it.
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