-MONTHLY VHS & DVD REVIEW-
|
|
|
|
|
|
|
|
|
|
|
The Night We Called It A Day
cast: Dennis Hopper, Melanie Griffith, Joel Edgerton, Portia de Rossi, and David Hemmings
director: Paul Goldman
97 minutes (15) 2003
widescreen ratio 2.35:1
Universal DVD Region 2 retail
RATING:
9/10
reviewed by Debbie Moon
|
|
|
1970s' Australia: upstart music promoter Rod Blue (Joel Edgerton) hears that Frank
Sinatra is going back on the road, and sees his chance to move into the big league.
With the help of his nerdy but charming new employee Audrey (Rose Byrne), he fights
off impending bankruptcy and persuades Sinatra to let him manage the Australian tour.
But the great man isn't as easy to get along with as Rod had hoped. Soon he has insulted
Rod's journalist fiancée, and hundreds of belligerent trade unions boycott the
tour in defence of the honour of journalists (what a quaint notion). Soon Sinatra is
besieged in his hotel room, eating cold baked beans in squalor, refusing to apologise,
while Rod struggles to save the tour, and his business. But amongst all this, will he
find time to acknowledge his increasing feelings for Audrey?
This is a prime example of the kind of quirky, warm-hearted film that the Australian
film industry does so well, a comedy drama unashamedly revolving around the Australian
love of bringing the proud down a peg or two. The outrageous events are leant some
authority by Dennis Hopper's prickly, often unsympathetic Frank, and Melanie Griffith
adds some glamour as kindly girlfriend Barbara. With an array of amusing supporting
characters, great performances, and all the usual romantic complications, yet a surprisingly
unpredictable plot, this film is a delight to watch. It even finds time for some gentle
political satire - a future Australian Prime Minister turns out to have played an
interesting role in events...
It's very hard to find anything wrong with this movie; fanatical Frank Sinatra fans
might find its allusions to his mob connections insulting, and his detractors might
consider it too soft on him, but as a work of entertainment, it's near perfect. Highly
recommended.
|
|