-MONTHLY VHS & DVD REVIEW-
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copyright © 2001 - 2004 VideoVista
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The Wild Geese
cast: Richard Burton, Richard Harris, Roger Moore, Hardy Kruger, and Stewart Granger
director: Andrew V. McLaglen
133 minutes (15) 1978
widescreen ratio 1.85:1
Mosaic DVD Region 2 retail
RATING:
9/10
reviewed by Donald Morefield
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After the closure of the house of Hammer, and the lapse into tired formula of the Carry-On
series, truly British cinema was rarely successful overseas again (unless you want to count
the Bond movies as homegrown?) until the 1980s' video boom. However, alongside Ian Sharp's
under-appreciated SAS thriller, Who Dares Wins (aka: The Final Option, 1981),
this lively adventure showed that UK productions could still compete with American blockbuster
movies in the gritty action stakes. Adapted by Reginald Rose from a novel by Daniel Carney
and directed by Andrew V. McLaglen (best known as a maker of westerns for John Wayne and
James Stewart) The Wild Geese was not a critical success but proved to be a hit with
audiences.
Colonel Allen Faulkner (Richard Burton), Lieutenant Shawn Fynn (Roger Moore) and
Captain Rafer Janders (Richard Harris) head a team of mercenaries hired by shady businessman
Edward Matherson (Stewart Granger) to rescue kidnapped African leader Julius Limbani (Winston
Ntshona) from prison in Rhodesia (now Zimbabwe). Their men include racist Pieter Coetze (Hardy
Krüger), gruff ex-RSM Sandy Young (played by Jack Watson), two Sergeants Tosh Donaldson and
Jock McTaggart (Ian Yule and Ronald Fraser), and openly-gay medical orderly Arthur Witty
(Kenneth Griffith). Among the civilians we find Frank Finlay playing Irish priest Father
Geoghagen. There are minor roles for Barry Foster as Thomas Balfour, and Patrick Allen as Rushton,
while the producer's daughter Rosalind Lloyd has the only female role (as casino hostess
Heather), in the whole film.
Although there are two heavy drinkers (Burton and Harris) in lead roles,
this was a largely untroubled shoot on excellent locations in southern Africa, and the
story of gentlemanly mercenaries betrayed by their unscrupulous paymasters is, at turns,
excitingly dramatic and somewhat blackly humorous. The cast includes some real mercenaries
led by Colonel 'Mad' Mike Hoare (who acted as technical advisor to the filmmakers). John
Glen, later a director in his own right on James Bond movies, was in charge of the second
unit and stunt work, and the excellent pyrotechnic and special effects were supervised by
the legendary Kit West - who went on to big scale movies like Raiders Of The Lost Ark
(1981), Return Of The Jedi (1983), and David Lynch's epic Dune (1984). In
spite of the anti-apartheid message, the film has hardly dated, with only 1970s' hairstyles
and London fashions, to remind us this was made over 15 years ago (and that two of its main
cast are now dead and gone).
The 'romantic' element in this Boys' Own adventure is replaced by
a father and son relationship - Richard Harris' reluctant tactician Janders is the single-parent
who dotes on his only child - but all scenes with the schoolboy are cloying at best. What
makes The Wild Geese so enjoyable, still, is the starry cast and the unfussy,
straightforward direction. McLaglen simply gets on with telling the story without a hint
of pretension, and there's a memorable theme song written and performed by undervalued
soul 'diva' Joan Armatrading.
A sequel, Wild Geese II (1985), about a European mission to
spring aged Nazi Rudolf Hess from Spandau prison, was derived from Carney's novel The
Square Circle. Although this somewhat belated follow-up, directed by Peter Hunt,
failed to match the impact of the original, it starred Scott Glenn, Edward Fox, Laurence
Olivier (as Hess), Barbara Carrera, Robert Webber, Stratford Johns, and Derek Thompson,
and the watchable cast ensured it was essential viewing for all fans of espionage and
action cinema.
DVD extras: a fine audio commentary with Roger Moore, John Glen, producer
Euan Lloyd, is moderated by journalist Jonathan Sothcott, and this will certainly be of
interest for the ever-witty Moore's amusing reminiscences about working alongside legendary
hellraisers such as Burton and Harris, and also for his fond memories of the movie's other
main players. There's also a very fine biographical featurette on Mr Lloyd, The Last Of
The Gentleman Producers (37 minutes), and seven minutes of news footage about the world
charity gala premiere of the movie at Leicester Square in London.
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