-MONTHLY FILM & TV REVIEW-
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The Air I Breathe
cast: Forest Whitaker, Andy Garcia, Kevin Bacon, Brendan Fraser, and Sarah Michelle Geller
director: Jieho Lee
95 minutes (R) 2007
widescreen ratio 2.40:1
Velocity / Think NTSC DVD Region 1 retail
RATING:
4/10
reviewed by Christopher Geary
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Following the currently fashionable model for slick urban crime drama, with run-of-the-mill
philosophical musings, and edgy contemporary-fantasy moments, this fractured and episodic outing
for a bunch of Hollywood names (with increasingly hit-free career trajectories), trots out
narrative complexity wholly contingent upon a Chinese proverb (about happiness, pleasure,
sorrow, love), while grabbing, rather desperately it must be said, for predictable twists
that are poorly concealed (from any skilled viewer's foresight) by slapdash Tarantino-esque
storytelling tricks and insufficient pre-production developments of its ramshackle framing
device, or the makers' final strategy for editing together such a bewildering fatalistic
hodgepodge of seemingly unrelated and coincidental events. That's life... Indeed, but it's
not art just because the movie attempts to evoke a pointed sense of moral concurrency for its
credulity-straining take on 'reality'. And so, in other words, The Air I Breathe topples
headlong into the un- (self) critical dimension of neo-pretentious twaddle.
In the similarly muddled sci-fi black comedy nonsense of
Southland Tales,
former Buffy lead Sarah
Michelle Gellar (Suburban Girl) played a porn star named Krysta. Here, she's hopeful yet
hopeless pop star, Trista, or that's what her character calls herself. Forest Whitaker bets $50,000
of someone else's cash on a supposedly 'fixed' horserace, and unexpectedly finds himself trying to
rob a bank to repay his debts to a monstrously egotistical mobster. Underworld madman (Andy Garcia,
now rapidly becoming typecast as the numero uno of 'watchable' bad guys) is a conscienceless,
hair-trigger violent, gangster of the "look what you made me do!" variety. His nasty
character is nicknamed (oh, for pity's sake!) 'Fingers'! Also, Brendon Fraser (too many
Mummy movies?)
plays a small-time, but ace, investor that loses his perfect record at 'fortune telling', and soon
falls prey to Russian hoods. Kevin Bacon portrays the doctor treating Fraser's injuries, and then,
later, manages to rescue Julie Delphy's snakebite victim when he learns - quite by chance, of course
- Trista's only notable claim to fame is having the same rare blood type urgently needed for Delphy's
life-saving transfusion.
Human-interest stories blur so easily into soap opera. The predictability of darkest fate
is nearly just as much an utterly contrived product of the marketplace, here, as idiotically
named supermarket item Utterly Butterly. It's all about profound desperation and the origami
of inevitability (as if the paperwork involved could not help becoming... whatever). It's a
drama of subjective tensions and new age waffle. The supposedly unforeseeable is unconvincingly
presented. Fraser's nominal hero contemplates the improbability of 'self-knowledge' in caterpillars
that metamorphose into colourful butterflies. The Air I Breathe thinks it's one such
beautiful creature but, objectively, it's really a cinematic slug.
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