-MONTHLY VHS & DVD REVIEW-
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Delta Of Venus
cast: Audie England, Costas Mandylor, Eric Da Silva, Raven Snow, and Rory Campbell
director: Zalman King
100 minutes (18) 1995
widescreen ratio 16:9
EV DVD Region 2 retail
RATING:
4/10
reviewed by Thomas Cropper
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Delta Of Venus: one writer's search for the secret place that exists within all
women. A journey of sexual, emotional and psychological exploration set against the
background of the Second World War. Sounds good in theory doesn't it? There's only one
problem - it's bollocks.
We're in pre-war France for this one. The Nazis are on their way, but
that's not worrying Elena (Audie England) who has come to Paris to write. However, she's
not having much luck until she meets a famous writer, Lawrence (Costas Mandylor) at a
party. They go back to her place at which point he jumps on her bed and falls fast asleep.
'Bloody typical,' cry all the women in the audience. For the rest of
the first act they enjoy a series of love scenes worthy of a late night Channel Five
movie until, inevitably, she catches him up to no good in the arms of another. It's now
that her journey really begins. Rejected by Lawrence, and seemingly unable to sell her
work, things look bad, but when a mysterious buyer contacts her publisher offering to
pay for erotic fiction it's the excuse she needs to head off into the seedier underworld
of Paris.
And it is here that the plot parts company with reality for good and
delves into the realms of cheap soft porn. Their version of an opium den is pretty much
along the lines of a 13-year-old's wet dream. I've never been to an opium den before in
my life, but I'm guessing you're more likely to find a group of comatose hippies admiring
the weave pattern of the carpet than the lesbian orgy this movie portrays.
But at that point, and not before time, the Nazis turn up. Everyone is
packing up for war, Paris is being bombed and Nazi sympathisers are loose in street.
Reluctantly the plot gears up to some sort of conclusion. Lawrence turns up again and we
can finally tie up all the loose ends, get out of our seats and go home.
Some films are so bad they become good. Movies like Striptease
or Showgirls are so nail-bitingly terrible that they attract a strange kind of cult
following out of pure sympathy. This is not one of those movies. Had it been the kind of
film that knew its place, it might feel different. Perhaps it would be easier to be
charitable, but this film is puffed up with so much self-importance that it's impossible
to feel any kind of sympathy for anyone involved. The characters are wooden, the dialogue
stilted and even the sex scenes have all the erotic appeal of Ikea furniture. The film is
filled with writers who can't write, singers who can't sing and artists who can't paint.
Perhaps the writers based them on people they knew.
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