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A Disney film with a 12 certificate, based on a theme park ride, and co-produced by action supremo Jerry Bruckheimer? Whatever is the world coming to? Well, if it produces more films like this, I won't be complaining. Pirates Of The Caribbean certainly isn't perfect: there's that ridiculously long title for a start, along with a string of historical inaccuracies and plot-holes (erm, why Bootstrap Bill's blood, exactly?), and a tagged-on solution to the love triangle that won't convince anyone over the age of ten. But when a film is this infectiously good-humoured and stuffed with old-fashioned swashbuckling fun, it's almost impossible to dislike. Will may be the romantic hero, but the heart of the film is a scene stealing turn from Johnny Depp as perma-stoned egotist Sparrow, the worst pirate in the Caribbean. In fact, Depp's performance is a real triumph, delicately nuanced and endearingly vulnerable. Bloom and Knightley make the best of their more conventional characters: Bloom in particular excels in his early scenes, including a wisecracking swordfight with Depp that comes close to the dizzy heights of adventure classic The Princess Bride. Geoffrey Rush brings surprising depth to panto villain Barbossa, and a largely British cast have great fun with the childish humour (look out for Jonathan Pryce's hysterical battle with a severed hand). Pirates may be all froth, excitement and silliness, but compared to the slick and soulless sequels that filled cinemas this summer, it's a real treat. Switch off your critical faculties, sit back, and enjoy the kind of movie you thought they didn't make any more.
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