-MONTHLY FILM & TV REVIEW-
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Bandit Queen
cast: Seema Biswas, Aseem Bajaj, Aditya Srivastava, Deepak Soni, and Nirmal Pandey
director: Shekhar Kapur
115 minutes (18) 1995
widescreen ratio 2.35:1
Metrodome DVD Region 2 retail
RATING:
8/10
reviewed by James A, Stewart
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Movies based on true events are a veritable nightmare for the cast and crew charged with bringing
them to the big screen. The subjects bitch (if they are still alive) about depiction of self and
there is always a queue of people waiting with gleeful grins to point out the inaccuracies of the
piece. In Bandit Queen - originally released in 1995 - both of the above points have been
raised, and on numerous occasions.
However, this should not take away from what is a beautifully shot piece of world cinema. With
dialogue in Hindu (complimented by English subtitles of course), Bandit Queen is a biopic
of the Indian hero - or criminal depending on your perspective - Phoolan Devi. In a few short
sentences, Devi was loved and hated in equal measures in India for her willingness to fight for
her rights as a woman. The hate generally came from her literal application of the fight, with
violence as much an ingredient in her struggle as peace was in Ghandi's, a character with who
comparisons to Devi have been tenuously drawn.
This is an Indian production but Bollywood's dance and song mitts are miles from this piece, which
was controversially banned upon release in India for the sex and violence within, not the story
(allegedly). Phoolan Devi, herself, was said not to be too enamoured by this movie - promising to
burn herself alive if it was ever shown in India. (Seven years ago this month, Devi was gunned down
at her home in New Dehli. She would have been 45 on the 10th of August.) The film itself tells Devi's
story and her rise from a low-caste feudalistic life to political gangster. Her story is awash in trial,
tribulation and no shortage of shocking events. Thankfully, director Shekhar Kapur pulls no punches in
highlighting much of the torment of Devi's early life in engineering this fascinating biopic about an
altogether under-discussed activist. Love or loathe Devi, she was indeed an interesting character and
whilst she may have had some qualms about the depiction of her in this movie, it is nonetheless a brilliant
watch for anyone looking to get a feel for the world outside their own borders, and to understand the recent
history of such a place.
The emotion in Bandit Queen is raw and palpable; the primogeniture that pervades rural India,
a male dominated world, is laid bare here and the class system is altogether too reminiscent of the
empires of years gone by. Kapur (also director of Elizabeth) should be commended for bringing
to life a real part of India's history here. There may be alleged inaccuracies, contention by the
subjects therein and some poetic license at use, but the simple fact of the matter is that if this
film encourages one, two or three people to delve into their past or to question their subjugation
then it is a worthwhile addition to the Indian cinematic canon.
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