-MONTHLY VHS & DVD REVIEW-
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Fiorile
cast: Claudio Bigagli, Galatea Ranzi, Michael Vartan, Lino Capolicchio, and Constanze Engelbrecht
directors: Paolo and Vittorio Taviani
114 minutes (12) 1993
Arrow DVD Region 0 retail
RATING:
7/10
reviewed by Gary Couzens
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A curse hangs over the Benedetti family, so much so that they have been nicknamed 'Maledetti'
instead. As a family drives through the Tuscan countryside, the father tells his two young
children the story...
Fiorile tells its story as three long episodes, beginning in the time of the Napoleonic
Wars and ending in World War II, with the present-time sequences acting as a fourth episode.
The curse began with a young French soldier, assigned to guard a mule laden with gold coins,
who becomes lost. He meets and falls in love with a young Benedetti woman... and meanwhile
her brother steals the gold. The young soldier is executed. The stolen gold makes the Benedettis
extremely rich, but misfortune frequently befalls them. Can the children put the curse to rest?
This story is handsomely filmed by the Taviani brothers, its story-within-stories structure
recalling their earlier portmanteau film Kaos. Giuseppe Lanci's camerawork is a particular
standout. The parallels between the generations is emphasised by the device of the three leading
actors playing two roles each. There's much to admire about the film, but somehow it's not as
involving as it should be. It's the most recent of the Tavianis' films to have a British release.
Arrow's all-regions DVD is in a ratio of 1.66:1 but non-anamorphic. The subtitles may be optional
(for the original mix of Italian and French dialogue) but they aren't 16:9 friendly, so zooming
the picture is not going to be an option for most viewers. The soundtrack is Dolby digital 2.0,
which appears to be mono - which also appears to be accurate, as there's no stereo system mentioned
in the end credits.
The only extra is an 84-minute interview, from Italian television circa 1985, with the Taviani
brothers. This is commendably trusting to the audience's attention span, as the camera stays
on the brothers throughout, occasionally widening the shot to include the interviewer. No clips
interrupt them, only occasional stills. This is a very through talk, with the brothers discussing
their childhood influences, their introduction to filmmaking (witnessing Roberto Rossellini's
Paisa being filmed - later, Rossellini was the chairman of the Cannes jury who awarded
them the Golden Palm for Padre Padrone) and their films up to
and including 1984's Kaos. This is a sizeable extra, and my only caveat is that anyone
who buys Fiorile is likely to want to buy Arrow's simultaneous release of Padre
Padrone, which contains the exact same extra. (Oddly, Padre Padrone, four minutes
shorter, has the interview on a separate disc, while Fiorile includes it on the same
disc as the feature.)
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