The creator, Derrick Simmons decided to launch this program only after a long series of tests and only after he was completely satisfied with the results that it showed.  

The program is called Crypto Code and you can read an impartial review if you follow the link given here, https://top10binarydemo.com/review/crypto-code/. The important aspects are given in brief for all the readers:- 

  1. It is designed to work in the digital currency market. 
  1. It can place many bets at the same time. 
  1. It can prevent losses by detecting any loss making trends and stopping the trading process immediately. 
  1. It has associated with well-respected brokers that makes the platform very reliable.  
  1. Security protocols are in place so that the details of the investors and financial transactions are safe.  
  1. The simple interface with multiple options for trading like betting on many options at the same time. 
  1. Prevents loss through detection of negative trends and stops trading immediately. 
  1. Compatibility with all kinds of devices, like mobile, laptop and tablets and operating systems. This allows people to trade any time and from anywhere, even on the go.  
  1. The deposit and withdrawal processes are completely safe and easy.  
  1. Program is accurate and free for everyone. 

All an interested trader has to do is to open the website on the favorite browser. Register and fill the form as instructed in the demo video. Once registered you need to deposit a minimum amount of Dollars 250 that starts your journey into the exciting world of digital currency and trading. The able customer care department is always available and helps to solve problems and answers all questions related to the program. The brokers are legitimate so the money is completely safe. You can increase the amount of deposit as and when you start feeling comfortable with the program. Many people need a source of income and they withdraw the money frequently. On the other hand many people would like to increase the amount of deposit and so they keep reinvesting the profits in the same system. 

Whatever the case be the profits and investments can be easily withdrawn whenever you want through any of the multiple payment and deposit options available in the system. The automated mode has made it possible even the novices to join this trading program and as much as profit as the experienced traders do. Our verdict is that it is a great trading program and worth giving a try. 

 

What is a trading account?

Trading account is an account used to buy and sell securities. To have transactions with the stock market, the traders should open a trading account. Traders can open that account with the brokers who will do trading on behalf of the traders. A trading account can be opened in two different ways.

  1. We can open a trading account by clicking on the given link.
  2. We can also make a call to the support team to open an account.

Scope of online trading:

Online trading is the investment activity based on the internet, not on the brokers. When we do online trading, we can use the online broker services. Nowadays, many layoffs are happening in many bigger companies. So, many people who are committed with loan and all are feeling very insecured. Obviously, they will look forward what will be the other options for earning money. They have no other options in hand other than online trading. As of now, computers and internet play a vital part in the world of trading.

The emergence of E-broking:

E-broking is nothing but the online trading broker softwares which will perform trading instead of the traders. Some software charge a registration fee for joining and some don’t. There are many broker softwares available in the trading market. Some of them are listed below.

  • Bitcoin code
  • Qprofit System
  • Ethereum code
  • Bitcoin Loophole
  • Carbon FX
  • Fintech LTD
  • Bitcoin trader
  • HB Swiss

Traditional investing faced down due to the revolution of the new technology based broker softwares. It helps the traders to have a secure trading through internet.

Let us take Qprofit System software here and talk about it briefly.

The Qprofit system is a new exciting binary options trading software which will help us to earn some thousands per month on autopilot. It welcomes many beta testers to that website with full access. It is really a great development by a binary trader who is well established and experienced. It enables the investors to perform trading easily with comfort. It is a binary trading software which helps the traders to predict the binary options trend and win in their respective options.

Advantages:

  • More potential profits
  • It is completely transparent
  • No need of previous experience in trading
  • No downloads required, it is fully web based
  • Easy to watch Qprofit system from smartphones
  • More than 100 binary trading signals will reach, so that we earn more wealth than we invested.

The negative side of Qprofit system:

  • Internet connection is a must.
  • Should spend some time over here to grow our wealth
  • 100% success cannot be guaranteed.
  • The software will not be opened until you deposit money

Conclusion:

There is no job which can give the guarantee for our future. The future should be determined only by the people. There will be profit and loss in every business.

The Future of trading market

Growth of trading:

Online trading has developed very much as we are in the world of computer and technology based system. All people want to work as a boss for themselves. So, trading is the best way to achieve that goal. In trading, we are the boss and we are the employees. No one will be there to question us. This freedom is what everyone needs. So, trading will grow so much in the upcoming years.

Objectives of online trading:

  1. It is so safe and secured and it is a moderate kind of business when compared to other businesses.
  2. Online trading has the role of stock market and social media sites.
  3. It eliminates the process of investing in stock exchange.
  4. It gives the access of account information to the customers.
  5. The traders can trade at any time they want to.

Current scenario of online trading:

As the country grows very fast, the people also grow and they want to lead a life with the desired growth. Online trading is useful for both the customers and the suppliers of the goods. A competition will be always there in the trading market which makes the traders to work hard more than before.

Aspects on the performance:

The main aspect of online trading to know how transactions are being done.

  1. Software to collect and deploy the commands.
  2. Action should be performed based on the customer requirements.
  3. Quick preparation of billing
  4. Displays the method of payment
  5. Displays the delivery formats

Online CFD Trading:

CFD is nothing but Contract for Differences. That is, without owning or buying an asset, it is used to invest an asset makes in terms of value. One can place an amount according to their convenience and expectations on an asset without paying the whole value of the asset. CFDs are contracts between a trader and a brokerage company. It can be created for indices, shares and cryptocurrency. The essential source of online trading is technology and it is rapidly growing towards a bright future. Ethereum Code is one of the best trading software to work with.

Strategies of online trading:

It is always good to have a strategy to follow in everything. This makes the work so easy. There are many strategies in trading and they are given as follows.

Day trading:

It is advisable to take a position based on the short term movements and close it out at the end of the trading day.

Scalping:

We have to place frequent, intraday trades on minor price movements. This strategy is helpful when we want to put ourselves in a position to make small and continuous profits rather than wait for one significant breakdown.

Swing trading:

If we want to capitalize on the opportunities from market momentum, then we have to catch trends the moments they form and hold onto the position until it runs its turn and shows signs of a reversal.

Automated trading:

If we prefer to be passive trader, we have to automate the trading processes that is able to react to the changeable market conditions.

Conclusion:

Thus conclude that online trading is the best developed business as per the last year records after many researches.

Investment and money making are 2 different things that most of us get confused about! Investing is for a longer tenure, say around a minimum of 3 years and more. While money making has multiple ways, like trading, financing and more.  

Trading is one of the best methods to actually double and triple up your money in a short span of time! But, that needs a lot of stuff like trading discipline, trading strategies, knowledge and experience in trading and also lots of practice and exposure.  

That’s the reason not many get into trading! It’s almost like gambling! The futures and options contracts especially are a huge gambling game!! It will double or triple your investment returns or it can even make that whole investment into Zero in just a single click!! That’s the beauty of it! 

So, thinking of not getting into trading? Well, don’t give up hopes of leading a better life! Don’t give up, when the opportunity is actually great, but you don’t have skills! You have all that you need to grow up, both in investments and in adding higher numbers to your account! 

Binary and forex, crypto trading all are ways that you can trade and grow your money! Yes, without having any experience and knowledge! You don’t need to be a great professional trader, yet you can bet on binary options, or even get into bitcoin trading process and make your money multiply. 

If you are looking to start your trading journey, but wondering where to begin and how? Here is all that you need to know before you make any hasty decisions. There are many brokering companies that allow you to trade, using their support and service, few even have apps that will enable you to trade online. But, how safe and budget-friendly are they?  

That’s the reason, we recommend you the latest technological power, the robot systems which are pretty good in number and cater to all your trading needs, even if you are a newbie! Yes, there are many robot systems that are inbuilt with AI, that has the algorithm in finding the right opportunity to trade and succeed, and the same is sent to the clients making them double their investment on trading.  

Again, there are many in forex, binary and crypto; but the one that is genuine for your highly volatile crypto is the Crypto Code! It’s transparent and legit, easy to use and highly efficient.  

 

Bitcoins are the current trending and most highly valued currency so far. We are pretty sure that not many of them would have been investing in it. there are people who still are worried about the returns part! There are few who are still thinking of it a scam, that would take away all the hard-earned money! But believe us, there is this Crypto CFD Trader, that is genuine and legit, which is highly recommended for its easy process.  

There are few who are wondering what the best would be, of starting with bitcoin investment and trading, even at this point in time, though the coin is already at a higher price! Well, here are few answers that might give you better insight and solutions to your doubts. 

So, you know What is bitcoin? Yes, it’s a digital currency! It’s a cryptocurrency that helps all online users to process any transaction with this digital currency. These coins are processed via the technology that has a private network of computers, which share a common program, using the blockchain technology. 

So how to get bitcoins? 

Just like any other purchasing methods, these days bitcoins are bought by encashing your physical currency. Otherwise, in the earlier years, these coins were generated only by mining! Mining on the technology platform, by solving complex mathematical questions and programs.  

So, here are the benefits: 

Stay anonymous: 

While you hold stocks, commodities, the broker, and the regulating authority will know your possessions, the value of your holdings, which might lead to any further trouble in the long run! But here, everything is only visible to you, nobody else! Your holdings are very clearly encrypted and hidden from anyone. You never leave any of your personal identity.  

No 3rd party: 

In online transactions, we always have third-party platforms to do any transaction and pay a nominal fee, which might actually in the higher number of transactions cost you huge! Here there is nothing as such, you are completely free from any 3rd parties. There is no governing authority who can insist a rule, nor the government can push a rule; it’s completely user-friendly and gives them the freedom of being valued with their holdings.  

Non-taxable: 

Doesn’t it sound so great? Oh yes!! While there are many tax components each of us is paying, even with investments, bitcoins are the best because you are not going to pay a penny for your investment and any transaction with the crypto. Wondering how? There is no governing authority and government is not inside to know who is holding what!  

Mike Leigh – what can be said about this unique director renowned for his semi-scripted, semi-adlibbed films? That’s what I thought before watching this, his latest effort. Having recently watched (again) his wonderful early pieces Abigail’s Party and Nuts In May, I was feeling very generous towards him and this movie. The trouble is I had forgotten all those films in-between.

Gradually, the gentle, yet piercing, satirical observations of what are, basically, rather sad yet optimistic people has given way to emphasising how utterly horrible life can be – if you let it. The wonderfully na�ve Candice-Marie in Nuts In May has morphed into the �ber-miserable Mary in this film. No doubt Mike Leigh has his reasons for going in this direction but I find the unrelenting, depressive misery of Another Year too much to take. There seem to be no redeeming features in this film and the element of satire seems to have disappeared altogether.

The overall tone of the film is set in the first few minutes where we see depressed Janet (Imelda Staunton) looking completely wretched and desolate when trying to prise a few sleeping tablets from her GP. We then move into the story, except that Mike Leigh doesn’t really ‘do plot’ which curiously, and to me to no good purpose, is split into four chapters: spring, summer, autumn, and winter.

Mary (Lesley Manville) is a secretary at the GP’s surgery, and Gerri (Ruth Sheen), an attached counsellor, is her friend and, we discover, a quite frequent visitor to Gerri’s house, which she shares with husband Tom (Jim Broadbent). A second curiosity: why give this couple the names Tom and Gerri? No reason at all to me and just rather silly. Said Tom and Gerri are an over-smug couple living in apparent bliss (but who knows!) spending time on their allotment producing vegetables to be eaten when entertaining their little group of misery-gut visitors.

Of course, despite early light-heartedness from Mary, she soon slides into a display of manic unhappiness based on her inability to land a man. Not too surprising, if you ask me. Another frequent guest is her male counterpart Ken (Peter Wright) an overweight, alcoholic smoker, also searching for a mate and (again not surprisingly) failing to find one. Need I go on? I don’t really want to mention the virtually non-communicative widowed brother of Tom – but he’s another one. Join the gang.

Bitcoin Loophole system is called Bitcoin Secret Loophole. It is fresh cryptocurrency trading software and it is developed by great investors. There are many testimonials and reviews about the software as same as the above film. It works as per the established SSL standards and the personal data is kept very safe. The traders can join in this Bitcoin Loophole software and start earning money. All people want to earn to get profit for the amount they put in. 

All the time we are asked to contrast these unfortunates with the wonderfully content Tom and Gerri and, later on, their son Joe (Oliver Maltman) and new girlfriend Katie (Karina Fernandez). So the chapters unfold with the seasons passing and misery increasing, if that is possible. What can I say: for, me unrelenting gloom for two hours and to what end. Yes, some people are happier than others; yes, a partner can make a difference; and, yes, self-pity is a killer. Not much of a revelation that.

Acting wise, Lesley Manville is the obvious star, pulling-out all the stops and then even more (some might think rather too many) as she descends into the slough of despair. All in all, not a pretty sight and not the way I want to spend two hours watching it. On the basis of this showing, we should all feel for Mike Leigh.

As he proved (yet again) in Spielberg’s unsurprisingly sentimental, but still eminently watchable, Cold War drama, Bridge Of Spies, Tom Hanks has long since become the all-purpose quiet hero of American cinema. From its dream-sequence start-up, that re-writes the intro for Talking Heads’ Once In A Lifetime (1980), A Hologram For The King is an offbeat comedy-drama, very much in the style of Coen brothers picture. The movie tackles a hurry-up-and-wait storyline as demoted salesman Alan (Hanks) visits a kingdom in Saudi Arabia, to present his company’s demo of holographic technology for the monarch’s use as over-ambitious teleconferencing suite.

Alan seems written like a failed middle-class liberal anybody, baffled but not offended by Arab culture’s alien weirdness, with all its crazily patriarchal, obsessively religious, dogmatically repressive paranoia that – in the region’s recent history – has resulted in distinctive detached realms of grossly obscene wealth and hellishly medieval poverty. Writer-director Tom Tykwer (adapting Dave Eggers’ novel) explores disruptive hassle and professional anxiety in Alan’s daily routine with grindingly farcical scenes where our American manager abroad faces the increasingly inconsequential nature of US influence, in new global structures of science and commerce under Chinese industrial dominance.

While the movie is not specifically pro-Muslim or anti-American, its notable lightness of touch is quite different to the scary changes in sociopolitical landscapes as depicted in Tykwer’s crime thriller The International (2009). Its comedy is broad enough to be almost crowd-pleasing, and includes a stereotypical but funny cameo by Tom Skerritt as Alan’s old crusty dad. What weakens the impact of its commentary upon the many troubling issues usually caused by middle-east politics/ culture/ religion all being the same thing, is that – following a romantic encounter with topless snorkeller Dr Hakim (Sarita Choudhury) – the storyline abandons any pretence at political relevance, dramatic resonance, or philosophical confrontation, and it lapses into a fairytale ending that is very disappointing although, of course, we are supposed to feel happy for the re-motivated Alan, who has found a new love and ‘won’ a fresh start in life.

Where the movie works, and does so quite splendidly, is the finale’s clever depiction of hologram tech as a shiny new toy; promoted by an American corporation as if it offers a time-saving and world-changing system enabling international business for the 21st century, even though it’s clearly and merely another gimmicky exercise in special effects. This delivers a savvy punch-line for that common joke that America is now a country with no future beyond trivial concerns.The film mainly focuses on how to take life as it comes to you and go by the tide. Their explanation about the life of the hero shows the twists and turns in one’s life. This is definitely a must watch in the list of good movies of the year.

Johnny Cool DVD

cast: Henry Silva, Elizabeth Montgomery, Telly Savalas, Sammy Davis Jr, and Elijah Cook

director: William Asher

103 minutes (NR) 1963

MGM DVD Region 2

RATING: 6/10

review by J.C. Hartley

Johnny Cool

I first saw this movie on late-night TV, probably sometime in the mid-1970s. Bizarrely, I remember it being in colour, despite not owning a colour set until 1995! I think it must be something to do with the sun-washed Hollywood locations. It stuck in my mind then and if it doesn’t quite live up to that memory it still holds a certain amount of interest.These locations are indeed awesome that urges us to visit them, at least, once in the lifetime! Perhaps, this option would have seemed impossible before the availability of the Bitcoin Loophole, the reliable crypto robot to invest in the cryptocurrency and make some fortune! But, now that it is available, visiting these places is on my to-do bucket list! Let’s talk about the movie now!

In wartime Sicily, a young boy rescues his mother from an assault by a German soldier by blowing him up with his own grenade. The boy’s victory is short-lived, however, as German troops shoot his mother before the boy is himself rescued by partisans. Fast-forward, and the child is now Salvatore Giordano (Henry Silva), a Sicilian Robin Hood, guest of honour at a local wedding, interviewed by the American media, before the Carabinieri gatecrash in a couple of helicopters. Wounded and captured by the military police, Giordano’s body is replaced by a disfigured corpse while he is spirited away to Rome.

In Rome, Giordano is given an offer he can’t refuse by exiled gangster Johnny Colini, alias ‘Johnny Cool’ (Marc Lawrence). Colini will groom Giordano in American cool, give him the inside straight on the Mob’s activities in the USA, and make him his heir. In return, Colini wants Giordano to travel to the ‘States and rub out his former associates who betrayed him.

Now in America, Giordano, calling himself Johnny Colini, introduces himself to the mob with some rough stuff in a drinking and dining club, used as a front by the gangland hierarchy. The new Johnny Cool also catches the attention of bored divorcee socialite Darien ‘Dare’ Guiness (Elizabeth Montgomery). Johnny gives the mob his ultimatum: total control of activities in the USA, otherwise his army will proceed with a series of assassinations. Johnny makes some time with Dare but is then invited to meet some of the mob while they check him out. Unfortunately for Dare, a couple of hoods are despatched to her apartment masquerading as cops to see what she knows about Johnny. Realising she knows nothing, the two toughs call in a report and are advised to use some ‘muscle’, and “leave her something to remember them by””; while the scene suggests she receives a beating the inference is obviously that she is raped.

Meanwhile, Johnny has got the drop on the mob during a crap game, holding a gun on ‘Educated’ (a cameo from Sammy Davis Jr, who also sings the theme and an incidental number), while he rolls the dice to clean them out. Leaving the club, Johnny overhears the two thugs who have attacked Dare gloating about their night. After discovering Dare in tears back at her apartment, Johnny returns to the club and stabs the hoods, mutilating the bodies in the Sicilian manner to indicate a revenge killing.

Johnny meets with the new mob boss Vince Santangelo (Telly Savalas) to lay down his ultimatum, total control of mob operations in the USA. Rebuffed, Johnny sets off across the ‘States, carrying out a wave of killings. Murdering Oscar Hinds (John McGiver) and Ben Morrow (Mort Sahl) in their casino, Johnny is taken aback when Morrow reveals that Colini promised him a share in his empire and that Colini is bound to betray Johnny. Morrow says that Johnny is merely Colini’s “delivery boy of death.” Johnny is ready to abandon the mission but an aroused Dare urges him to carry on and be a man, and the pair set off together to bring the plot to fruition.

Johnny kills Lennart Crandall (Brad Dexter) with explosives, then he and Dare split up while Johnny goes to execute Santangelo. Dare panics when her rented car is spotted by police, and accepts an invitation from some friends to spend the weekend partying on their yacht. Discovering that Crandall’s children narrowly avoided being killed in the explosion that killed their father, Dare gives the mob details of her rendezvous with Johnny before giving herself up to the FBI, telling them that she has killed Johnny. Johnny has shot Santangelo and keeps the appointment with Dare only to find the mob waiting for him. He is captured, strait-jacketed, and informed of the torture that awaits him to extract the details of mob activities that he was given by Colini.

A curiosity, the obvious parallel that Johnny Cool evokes is with John Boorman and Lee Marvin’s Point Blank of four years later. But, while Point Blank is cool, immersive, metaphoric, and mythic, with a killer colour palate, and clearly late 1960s, Johnny Cool is black and white, with one foot in the 1950s, hamstrung by the Hays code and trying to make amorality hip while saying that crime doesn’t pay. Having said all that, while Johnny Cool isn’t Kiss Me Deadly, it is slightly shocking with its automaton hero and Stockholm syndrome heroine embarking on a killing spree.

Some stuff, like the FBI briefing on mob activities seems added on, and the ending, with Johnny’s capture and imminent torture – while emphasising that he is to be paid back for his swathe of slaughter – rather puts the gang-bosses in the role of society’s judiciary, emphasised by their presentation of corporate respectability! Henry Silva comes on like Jack Palance junior; the very next year to this release, Elizabeth Montgomery would be Samantha in ABC’s Bewitched. Director William Asher was better known for the ‘beach party’ genre of teenage movies, often featuring Frankie Avalon. In fact, Johnny Cool appeared between Beach Party (1963), and Muscle Beach Party (1964).

cast: Isabelle Huppert, Annie Girardot, and Benoit Magimel

director: Michael Haneke

125 minutes (18) 2001
widescreen ratio 1.85:1
Artificial Eye DVD Region 2 retail
Also available to buy on video

RATING: 8/10
reviewed by Gary Couzens

In Vienna, Erika Kohut (Isabelle Huppert) works as a piano teacher. Unmarried, she lives at home with her domineering mother (Annie Girardot). Outwardly, Erika is harsh and strict; but she has a secret. Erika’s darker side manifests itself in visits to porn shops, voyeurism. She meets a promising young student (Benoit Magimel) who attempts to seduce her, and they enter into a sadomasochistic affair.
The Piano Teacher was Michael Haneke’s second film to be released in Britain in 2001. Code Unknown used a deliberately fragmented structure and long takes to express his film of the interconnectedness of people and their responsibilities to each other. The Piano Teacher, based on a novel by Elfriede Jelinek (apparently largely autobiographical, which is disturbing news in itself), is much more classical in style, though as before it demands considerable input from the viewer: Haneke deliberately avoids making any comments on the film’s action,

This is because it is easy to mold someone who is just beginning to start trading and thus the habits can easily be changed. The trader who has not been able to master this art for years and has been doing mistakes repeatedly on Qprofit System can find it really hard to change his emotions and style of trading.

letting the audience judge for themselves. This detached style is matched by a brilliant, considerably risky performance by Huppert, who expresses considerable emotion with the minimum of facial expression. She deservedly won the Best Actress Award at Cannes for her performance here and should have had an Oscar nomination if the Academy were inclined to reward ‘controversial’ films. Since her breakthrough role in 1977’s The Lacemaker, Huppert has proved herself one of Europe’s finest, and most prolific, screen actresses.
Difficulty in interpretation is matched by difficulty in content – to be precise, many people will find much of this hard to watch. Haneke doesn’t spare us much: we see brief extracts from the hardcore porno loops Erika watches, and this progresses to her urinating in excitement as she spies on a couple making love at a drive-in cinema, to a seduction scene that takes place in a public toilet. Needless to say, this isn’t remotely suitable for children or anyone squeamish or easily offended, but none of it seems gratuitous: it seems impossible, but Haneke films his extreme material with some taste and discretion. Haneke remains one of the few European practitioners of the morally serious, challenging art movie, of which The Piano Teacher is very much an example. In an increasingly insular, not to mention dumbed-down, British film distribution environment, we need more films like this.
The Piano Teacher was shot with a mixed French and German/Austrian cast, speaking their own languages, and dubbed accordingly. As the three leads are French, we get the French language version (La pianiste) rather than the German one (Die Klavierspielerin), even if does give the odd result of Vienna being a Francophone city. There are two soundtracks, Dolby digital 5.1 and Dolby surround, with optional English subtitles.
DVD extras: interviews with Huppert, Haneke and Jelinek, a behind-the-scenes look at the film’s post-synchronisation session, and filmographies.

cast: David Boreanaz, Charisma Carpenter, Alexis Denisof, J. August Richards, and Amy Acker

created by Joss Whedon and David Greenwalt
917 minutes (15) 2001-2002
widescreen ratio 1.78:1
20th Century Fox DVD Region 2 retail

RATING: 8/10
reviewed by Jeff Young

Without a doubt, Angel is the most surprising and consistently enjoyable fantasy TV show in production today. There are duff episodes, as with any long running serial, but the overall quality of scripting, performances by a highly talented cast playing well-rounded characters, varied locations shot with an avid sense of noir atmosphere, and general production values (with special regard to the sets and props, which are often superior to the show’s digital visuals and makeup effects) is exemplary. With this third season, the actors further develop their roles within the main group. In particular, stars David Boreanaz and Charisma Carpenter – as Angel and Cordelia – display an engaging and comfortable assurance during their lively banter, and within ensemble dialogues, that’s constructively reminiscent of the best ‘pre-romance’ TV couples. In particular, the relationship between Angel and Cordy is like the rapport between the stars of Moonlighting or The X-Files.
Characterisation aside, perhaps what Angel does best of all are the intriguing story arcs that span multiple episodes, or the full season. Featuring 22 episodes of approx 45 minutes each, this season involves the birth of Angel’s son, Conner (played in closing episodes by Vincent Kartheiser), the ultimate fate of Angel’s ex-lover, Darla (Julie Benz), the mysterious appearance of embittered and vengeful vampire hunter, Holtz (Keith Szarabajka, of Stephen King adaptation The Golden Years, 1991), fresh developments in the adversarial connection between Angel & Co. and their darkest enemies at devoutly evil law firm Wolfram & Hart, budding romance between the youthful supporting characters, and lots of mystical wonder and exciting action scenes, with or without assorted weapons. And, in fact, as far as the show’s crime fighting and monster slaying goes, Angel easily outdoes Buffy nowadays, to reign supreme as the best plain clothes’ superhero adventure on TV.
However, in spite of the elaborate telefantasy fun and games, and Dungeons & Dragons inspired role-playing (champion, seer, wizard, oracle, demon, etc) Angel still manages to create and explore a serious, philosophical side, which generates an edginess that every other comparable TV show lacks. Here, the show’s writers are not afraid to address issues of trust, freedom, honesty, conscience and mercy. Not to mention the changing nature of what is right and wrong, or good and evil, in a deeply troubled postmodern society where an individual’s sense of morality is just as much a handicap as a virtue. Any network TV series that questions the ‘humanity’ of contemporary America and, in doing so, critiques the global media establishment that has produced it, while examining such hot issues as parental responsibility and racial tolerance, in a refreshingly imaginative way, really does deserve wider attention and greater acclaim. If you have yet to catch Angel, here’s what to do about it – get thee hence to your chosen shopping site and order all three DVD or VHS box sets immediately. You will not be disappointed, and you can thank me later, okay?
The presentation has Dolby digital surround 2.0 sound, in English and French plus subtitles in seven languages. DVD package extras include featurettes Season Three Overview (30 minutes), Page To Screen (15 minutes), Darla: Deliver Us From Evil, plus an outtakes reel, trailers for both Angel and Buffy, screen tests for Amy Acker (who plays young physicist Fred, and is great as such a charmingly wacky character) and Vincent Kartheiser, and a stills gallery of approx 50 images. You also get commentary tracks on the episodes Billy, Lullaby, and the otherwise lacklustre Waiting In The Wings, and deleted scenes from Birthday and Waiting In The Wings with optional commentaries.

Back when the postwar monochrome had started to bleed into counter-culture Technicolour, back before VHS, before DVD, before LoveFilm, and Amazon, and TV on demand, back then the high school water-cooler moment, before high school water-coolers, was ‘did you see that film on the telly last night?’ And, with only three channels, the chance was the answer was ‘yes’.

In those days, films stayed on the theatrical circuit for much longer; I’m talking years. I think a film had to be at least six years old before it could be shown on television. Consequently, in the 1970s, when I started to take a more individual interest in television viewing, a host of films came onto television from the 1960s. I was able to enjoy films from the likes of Ken Loach, Richard Lester, Lindsay Anderson, Tony Richardson, Karel Reisz, Billy Wilder, Neil Simon, John Boorman, Ken Russell, Sam Peckinpah, Stanley Kubrick, and uncle Don Siegel et al. The BBC used to do ‘film seasons’ on specific directors and, because BBC 2 was a bit arty, there were the joys of foreign language films, the nouvelle vague, and all the glories of European cinema, introducing me to Truffaut, Fellini, Wim Wenders, Chabrol, LeLouch, Antonioni, and Bunuel.

The zeal of the House Un-American Activities Committee in the 1950s meant that America’s loss was Europe, and particularly the UK’s, gain, as blacklisted writers and directors came over the Atlantic to find work in an industry less concerned with someone’s politics. Although never officially blacklisted, the director Joseph Losey made the trip to Britain and soon forged a prominent and successful career in the resurgent British film industry. In Annus Mirabilis, Philip Larkin noted that “Sexual intercourse began/ In nineteen sixty-three/ […] /Between the end of the ‘Chatterly’ ban/ And the Beatles’ first LP.”

Teamed with the playwright Harold Pinter, making his first forays into screen-writing, Losey made The Servant (1963), following it with Accident (1967), and The Go-Between (1971). He had already made the curious 1963 blend of social comment and science fiction thriller (These Are) The Damned, but a run of films, such as those with Pinter, and others like Secret Ceremony (1968), and the later The Romantic Englishwoman (1975), seemed to mark him as a director with a particular felicity in expressing the layered angst of class and sexual relationships. He also made the bonkers adaptation of Tennessee Williams (from Williams’ own screenplay) Boom (1968), with Richard Burton as the Angel of Death, and the great Noel Coward as the Witch of Capri. This overwrought drama is a guilty pleasure; Burton has a speech about something, which ends with the word ‘Boom’, the sound of the waves against Liz Taylor’s island fortress retreat, that I memorised in an attempt to perfect my Richard Burton impression. Although the films mentioned are marked by the microscopic scrutiny of sex, class, and gender, Losey also made the sparse blend of running and helicopter-porn that was 1970’s Figures In A Landscape.

In 1966, in the eye of the hurricane of British pop culture, Losey took the reins of Modesty Blaise, a film based upon Peter O’Donnell’s syndicated newspaper comic strip adventuress. It’s taken me a massive cultural digression to get to the meat of this review, and what can I say about this film? Back in school, after its airing on TV, I think I tried to enthuse, but I had been wrong-footed. Science fiction wasn’t such a big deal for me then, I had slipped into the espionage genre, and was reading Fleming, Le Carre, Len Deighton, and Alistair MacLean. Of course, post-Bond, the tendency had been to spoof the genre, as The Man From Uncle, The Avengers, and the Derek Flint films, all sought to offer spy-fi thrills with a knowing aside to meta-fiction.

Modesty Blaise came hot on the Cuban heels of the Beatles’ Help!, and seems to want to instil some of that hip camp tomfoolery to proceedings, while encouraging us to believe there is a plot of sorts. Sadly, the film tumbles between stools; it is neither thrilling nor very funny; but that is not to say it is completely devoid of charm. In order to secure its oil supplies from the Gulf, her majesty’s British government proposes to deposit a fortune in diamonds with friendly Sheikh Abu Tahir. The conundrum is how to get the gems to the Sheikh, while avoiding the attentions of super-criminal Gabriel?

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Well, given that the representatives of HMG meet with the Sheikh in his London hotel early in the film, the answer would appear to have been hand them to him in a box, however that would have severely curtailed the two hours running time. Hiring ex-criminal and international adventuress Modesty Blaise, after their man in Amsterdam has been blown up while on the trail of Gabriel, the British government in the person of their man Sir Gerald Tarrant employ a host of distraction techniques in order to deflect both Modesty and Gabriel’s attentions onto each other and away from the diamonds. Needless to say, no one is fooled and it is better to ignore the plot and enjoy the performances.

Standout turn is long-term Losey collaborator Dirk Bogarde as the blond-wigged Gabriel. Camp as a field full of girl guides, in an op-art monastery island lair, Gabriel agonises over the death of the family-man pilot in the shooting-down of the RAF jet supposedly carrying the diamonds, “Why can’t they ever be single?” Aided by his troubling female henchman Mrs Fothergill (Italian actress Rosella Falk), and his parsimonious aide McWhirter (Clive Revill in a double role; he also plays Abu Tahir), Gabriel seeks either to eliminate Modesty or draw her into an alliance. Harry Andrews plays Modesty’s controller Sir Gerald Tarrant with a fine disregard for the nonsense he has found himself in, and Michael Craig enjoys himself as British spook and Modesty’s love interest, as you would.

Modesty’s sidekick, reformed cockney crook Willie Garvin, is played by the great Terence Stamp, one of the triumvirate of pretty-boy English actors who came to prominence in the 1960s and 1970s, the others being David Hemmings, and Ian McShane. Still busy in major roles to this day, Stamp and McShane kept their looks and good billing while, arguably the prettiest of the three, Hemmings bizarrely blew up to the size of a barn, grew unkempt eyebrows, and ended up with paltry cameos in The League Of Extraordinary Gentlemen, and Vinnie Jones’ remake of The Mean Machine, before his untimely death in 2003. Having said that, Hemmings did have a parallel career as a TV director particularly on The A-Team, and Quantum Leap.

The star of Modesty Blaise, in her first English-language role, is Italian actress Monica Vitti (La Notte). What can you say? The camera loves her. Not conventionally beautiful, she is beautiful and flirtatious in this; for her serious acting go to the films she made with Antonioni, in fact if only they could have got him on board for Modesty Blaise, as he was no stranger to the unconventional thriller. O’Donnell wrote a screenplay for the film but it was almost totally abandoned in the rewrites by Losey and his collaborator. O’Donnell claims only one line survived. O’Donnell did have something of the last laugh, as he produced a novelisation of the screenplay, the success of which encouraged him to write a further series of best-selling Modesty novels.

In a couple of instances in the film, O’Donnell and artist Jim Holdaway’s comic-strip appears, and blonde Monica Vitti dons a brunette wig and Modesty’s tight-fitting black clothes, adopting the Modesty persona like a superhero’s secret identity. Willie Garvin and Modesty even have a song, in which they consider the fact that in all their adventures they have never found the time to hop into bed with one another. Such pop sensibility sits uncomfortably at times with the film’s attempts to be an adventure story, as there are deaths by strangulation, by stabbing, and a hanging. If you want to see how to do this sort of thing better watch Mario Bava’s Danger: Diabolik, made a couple of years later.

Still, despite my considerable reservations, and despite the fact I would not rush to watch this again, I feel it says something about the times, and it does not diminish the stature of O’Donnell’s creation of Modesty Blaise. There have been a couple of more attempts to bring the divine Modesty to the screen, an Americanised TV pilot starring Ann Turkel in 1982, and the Tarantino produced direct-to-DVD My Name Is Modesty in 2003. It seems she may be one of those characters who defy successful adaptation, but arguably Modesty Blaise was a reference point for Lara Croft, although clearly the same proscription applies. I am now waiting for the release of a re-mastered DVD of that other cult phenomenon, fumbled in its cinematic execution, Robert Fuest’s 1973 take on Jerry Cornelius in The Final Programme.